{"id":41660,"date":"2025-10-31T17:32:06","date_gmt":"2025-10-31T16:32:06","guid":{"rendered":"https:\/\/festivita.be\/?page_id=41660"},"modified":"2026-01-08T18:24:28","modified_gmt":"2026-01-08T17:24:28","slug":"premiere","status":"publish","type":"page","link":"https:\/\/festivita.be\/nl\/festivita-2026\/programma-festivita-2026\/premiere\/","title":{"rendered":"Premi\u00e8re"},"content":{"rendered":"\n

Zaterdag14 februari
13:00<\/h4>\n\n\n\n
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\"festivita<\/figure><\/div>\n\n\n
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Na een projectoproep worden vijf ensembles geselecteerd om het hoogtepunt van hun historisch onderzoek rond het thema Brussel en de Zuidelijke Nederlanden te presenteren met een miniconcert en commentaar.<\/p>\n\n\n\n

Kom deze jonge talenten, van wie sommigen voor het eerst op het podium staan, ontdekken, steunen en toejuichen.<\/p>\n\n\n\n

13:00- 13:30 PRIMO GETTO<\/strong><\/strong><\/h3>\n\n\n
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Katerina Blizkovska<\/strong> mezzo
Emanuele Petracco<\/strong> tenor
Anna Johannsen<\/strong> bass violin
Nicola Benetti<\/strong> cembalo & organ<\/p>\n\n\n\n

Until peace comes<\/strong><\/em><\/strong><\/p>\n\n\n\n

Johann Hermann Schein<\/strong> (1586 \u2013 1630)
Cantional, 1627-1629<\/em>
\u00ab Warum betr\u00fcbst du dich mein Herz \u00bb <\/p>\n\n\n\n

Johann Hermann Schein <\/strong>(1586 \u2013 1630)
Opella Nova, 1618<\/em>
\u00ab Warum betr\u00fcbst du dich mein Herz \u00bb
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Johann Hildebrand<\/strong> (1614 \u2013 1684)
Krieges-Angst-Seufftzer, 1635<\/em>
\u00ab Ach Gott, wir haben’s nicht gewusst \u00bb<\/p>\n\n\n\n

Andreas Hammerschmidt<\/strong> (~1611 \u2013 1675)
Motettae unius et duarum vocum, 1649<\/em>
\u00ab O bone Jesu \u00bb<\/p>\n\n\n\n

Heinrich Sch\u00fctz<\/strong> (1585 – 1672)
Erster Theil kleiner geistlichen Concerten, 1636<\/em>
\u00ab Erh\u00f6re mich wenn ich rufe \u00bb<\/p>\n\n\n\n

Samuel Scheidt<\/strong> (1587 \u2013 1654)
Musikalische Krafft-Bl\u00fcmlein, 1635<\/em>
\u00ab Herzlich tut mich erfreuen \u00bb<\/p>\n\n\n\n

Johann Hildebrand<\/strong> (1614 \u2013 1684)
Krieges-Angst-Seuffzer, 1635<\/em>
\u00ab Mitten in der Kriegesnoth \u00bb<\/p>\n\n\n\n

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13:45- 14:15 SCHRANCK FOUR<\/strong><\/strong><\/strong><\/h3>\n\n\n
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Isabell P\u00f6ll <\/strong>chalumeau
Leona Lenger <\/strong>oboe
Julia Wetzel <\/strong>bassoon
Jonathan Berk <\/strong>harpsichord<\/p>\n\n\n\n

Saxony\u2019s Signature<\/strong><\/em><\/p>\n\n\n\n

Matth\u00e4us Nicolaus Stulyk<\/strong> (ca.1700 \u2013 1732)
Concertino a 4 Stromenti<\/em>
Allegro \u2013 Largetto \u2013 Presto<\/p>\n\n\n\n

Johann Friedrich Fasch<\/strong> (1688 \u2013 1758)
Sonata, FaWV N:g1<\/em>
Largo \u2013 Allegro<\/p>\n\n\n\n

Johann Adolph Hasse<\/strong> (1699 \u2013 1783)
Concerto<\/em>
Adagio \u2013 Allegretto \u2013 Adagio \u2013 Allegretto m\u00e0 poco<\/p>\n\n\n\n

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14:30 – 15:00 RENAISSANCE TRAVERSO CONSORT LORELEY <\/strong><\/strong><\/strong><\/strong><\/h3>\n\n\n
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Darina Ablogina <\/strong>
Adele Mariniuk<\/strong>
Holly Scarborough<\/strong>
Tommaso Simonetta Sandri<\/strong><\/p>\n\n\n\n

Where Rivers Keep Their Secrets<\/strong><\/em><\/p>\n\n\n\n

Heinrich Isaac <\/strong>(1450 \u2013 1517)
\u00ab La Mora \u00bb<\/p>\n\n\n\n

Antonio Scandello<\/strong> (1517 \u2013 1580)
\u00ab O dolce, O dolce, Se per sentir dolor \u00bb <\/p>\n\n\n\n

Giovanni Bassano<\/strong> (ca. 1560 \u2013 1617)
\u00ab Io canterei d’amor s\u00ec novamente \u00bb <\/p>\n\n\n\n

Vittoria Aleotti <\/strong>(1575 \u2013 after 1620)
\u00ab T’amo, mia vita, Io v’amo, vita mia \u00bb <\/p>\n\n\n\n

Johann Walter<\/strong> (1496 \u2013 1570)
Instrumental fugue in canon<\/em><\/p>\n\n\n\n

Christoph Demantius <\/strong>(1567 \u2013 1643)
2 German dances<\/em><\/p>\n\n\n\n

Johann Walter<\/strong> (1496 \u2013 1570)
\u00ab Vere beatus et Deo factus \u00bb<\/p>\n\n\n\n

Ludwig Senfl<\/strong> (1486 \u2013 1543) 
\u00ab Was ist die Welt \u00bb<\/p>\n\n\n\n

Schweizer T\u00e4nze aus der Lautentabulatur von Samedan<\/strong>
\u00ab Appenzeller Tanz: Ich staig uff einem Fygenbaum \u00bb<\/p>\n\n\n\n

Michael Praetorius<\/strong> (1571 \u2013 1621) 
\u00ab Der Kanarienvogel \u00bb<\/p>\n\n\n\n

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15:15 – 15:45 KOMOREBI CONSORT<\/strong><\/strong><\/strong><\/strong><\/strong><\/h3>\n\n\n
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Francesco Lussignoli<\/strong> traverso
Lien Dewijngaert <\/strong>traverso
Fran\u00e7ois-Emmanuel Douchy <\/strong>cello
Tetsu Isaji <\/strong>harpsichord<\/p>\n\n\n\n

\u201cTu-Ru\u201d or not \u201cTu-Ru\u201d: Buffardin and Mahaut in conversation in Dresden?<\/strong><\/em><\/p>\n\n\n\n

Pierre-Gabriel Buffardin? <\/strong>(1693 \u2013 1768)
Sonata del Sig. Bufardini a Tre Stromenti<\/em>
Allegro ma non troppo – Allegro<\/p>\n\n\n\n

Jan Dismas Zelenka<\/strong> (1679 \u2013 1745)
Sonata 4. a 2 hautbois e due Bassi obligati from 6 Sonatas, ZWV 181 (arr. for 2 flutes)<\/em>
Andante – Allegro<\/p>\n\n\n\n

Interlude (Solo Harpsichord)<\/p>\n\n\n\n

Johann David Heinichen<\/strong> (1683 \u2013 1729)
Fantasia durch alle Tonarten gehend, BWV Anh. 179<\/em><\/p>\n\n\n\n

Antoine Mahaut <\/strong>(1719 \u2013 ~1785)
Sonata I a Tre, Due Flauti Traversieri e Basso Continuo from 6 SONATE Da Camera<\/em>
Adagio – Allegro<\/p>\n\n\n\n

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16:00 – 16:30 TRIO TURBULENCES<\/strong><\/strong><\/strong><\/strong><\/strong><\/strong><\/h3>\n\n\n
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Ana Parejo Belando <\/strong>soprano
Eric Meier <\/strong>archlute
Tim Meulenbeld <\/strong>cornetto<\/p>\n\n\n\n

Tempesta di Dolcezza: Early Continuo Lied in Saxony<\/strong><\/em><\/p>\n\n\n\n

Johann Nauwach <\/strong>(~1595 \u2013 1630)
\u00ab Tempesta di dolcezza \u00bb <\/p>\n\n\n\n

Lorenzo Allegri <\/strong>(1567 \u2013 1648)
\u00ab Tu piangi al mio partire \u00bb <\/p>\n\n\n\n

Sophie Elisabeth Braunschweig-L\u00fcneburg <\/strong>(1613 \u2013 1676)
\u00ab Morgenlied \u00bb <\/p>\n\n\n\n

Caspar Kittel  <\/strong>(1603 \u2013 1639)
\u00ab Ich bleib und bin des Liebsten f\u00fcr und fur \u00bb<\/p>\n\n\n\n

Giulio Romolo Caccini  <\/strong>(1551 \u2013 1618)
\u00ab Amarilli mia bella \u00bb * <\/strong>
*<\/strong>ornementation de Johann Nauwach<\/p>\n\n\n\n

Heinrich Sch\u00fctz  <\/strong>(1585 \u2013 1672)
\u00ab Gl\u00fcck zu dem Helicon \u00bb <\/p>\n\n\n\n

Johann Nauwach <\/strong>(~1595 \u2013 1630)
\u00ab Jetzund k\u00f6mpt die Nacht herbey \u00bb <\/p>\n\n\n\n

Sophie Elisabeth Braunschweig-L\u00fcneburg <\/strong>(1613 \u2013 1676)
\u00ab Abendlied \u00bb <\/p>\n\n\n\n

Johann Nauwach <\/strong>(~1595 \u2013 1630)
\u00ab Vaghi rai lucente stelle \u00bb<\/p>\n\n\n\n

<\/div>\n\n\n\n

Tarieven: <\/strong>
Voorverkoop: 25\u20ac\/15\u20ac\/5\u20ac\/0\u20ac
Verkoop: 30\u20ac\/20\u20ac\/5\u20ac\/0\u20ac<\/a><\/p>\n\n\n\n

Met de steun van de Nationale Loterij en haar spelers, van PlayRight en van het Festival Midis-Minimes<\/p>\n\n\n\n

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\"\"<\/a><\/figure><\/div><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Zaterdag14 februari13:00 Na een projectoproep worden vijf ensembles geselecteerd om het hoogtepunt van hun historisch onderzoek rond het thema Brussel en de Zuidelijke Nederlanden te presenteren met een miniconcert en commentaar. Kom deze jonge talenten, van wie sommigen voor het eerst op het podium staan, ontdekken, steunen en toejuichen. 13:00- 13:30 PRIMO GETTO Katerina Blizkovska […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":41584,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"class_list":["post-41660","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nPremi\u00e8re - FestiVita!<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/festivita.be\/nl\/festivita-2026\/programma-festivita-2026\/premiere\/\" \/>\n<meta property=\"og:locale\" content=\"nl_NL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Premi\u00e8re - FestiVita!\" \/>\n<meta property=\"og:description\" content=\"Zaterdag14 februari13:00 Na een projectoproep worden vijf ensembles geselecteerd om het hoogtepunt van hun historisch onderzoek rond het thema Brussel en de Zuidelijke Nederlanden te presenteren met een miniconcert en commentaar. 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